Inez Jönsson's (b. 1989, Stockholm, Sweden) practice is centred around the very fundamentals of painting. Her appreciation and understanding of materials come from her own physical experience—she saws, weaves, dyes, threads, and paints each individual element. She approaches the materials, assesses them, and then unfolds and articulates what is otherwise obscured by the image. With careful, subtle disruptions, the individual materials become equal protagonists. Their former status is abandoned, transitioning into something unified, where medium becomes the ultimate goal.