Published by Problems Printing, L.A., this edition was created using hand-drawn techniques, analogous to the artist’s crayon paintings. Lindseth worked in the printer’s Los Angeles studio, drawing each of the 13 color layers on mylar to be replicated with hand-mixed ink colors in the studio. By establishing a direct connection to Lindseth’s drawing-based practice, this methodology demonstrates the richness of the artist’s mark translated to print.
The monumental edition (213 x 35.5 cm) continues investigations from an ongoing body of painterly works - centred on inquiries into landscape, cycles of decay and renewal, and the aesthetics of impermanence. Influenced by Buddhist death meditations and romantic depictions of nature, viewers are invited to linger in the liminal space between beauty and collapse; to consider what remains when light fades, and whether in witnessing endings, one might also glimpse new beginnings.
A selection of Lindseth’s recent paintings accompanies the print release, in a visual exploration of the fleeting, yet profound spectacle of the green flash mirage—an optical phenomenon occurring just as the sun dips below the horizon. This brief moment, where the last sliver of sunlight transforms into an otherworldly green, serves as a poetic threshold between day and night, presence and absence, permanence and impermanence.
