Georg Wilson is a British painter. She received her BA in Art History at the University of Oxford (2020) and MA in Painting at the Royal College of Art (2022). She is a twice-recipient of the Elizabeth Greenshields award (2021-2), was shortlisted for the Ingram Prize (2022) and New Contemporaries (2023).
Wilson’s practice explores ecology and history, translated through personal experience and folklore. Her paintings follow the seasons, so that her subject and palette changes with the turn of the year. Wilson aims to confront the historical painterly narrative of England, and she tells strange stories of an imagined landscape in which humanity is absent. Her scenes are populated with creatures, more ‘animal’ than any particular gender. Defying classification, they exist outside a human hierarchy of domination or exploitation. Wilson conjures a world of entangled, strange narratives in which we can suspend our disbelief to eventually emerge out of the undergrowth, somehow changed.
Recent solo exhibitions include; ‘In May, I Sing Night and Day’ at Palazzo Monti, Brescia (2023); ‘What Mad Pursuit’ at Berntson Bhattacharjee Gallery, London (2023); ‘Ill Met by Moonlight’, online with Delphian Gallery & Artsy New York (2023); ‘This Other Eden’ at Kravets Wehby Gallery, New York (2022); ‘The Garden Thief’ at Arusha Gallery, Bruton (2022). Recent group exhibitions include; ‘Surrealism and Witchcraft’, Lamb Gallery, London (2023); ‘A Celebration of Portraiture’, Marlborough Gallery, London (2023); 'Who Is Your Master?', 1969 Gallery, New York (2023); ‘We Are Floating In Space’, Newlyn Art Gallery, Cornwall (2023); ‘Pocket Universe’, Philip Martin Gallery, LA (2023); ‘Even the Worm Will Turn’ duo show, Soho Revue, London (2022); ‘The Red Room’, Berntson Bhattacharjee, Cromwell Place, London (2022); ‘AMPHIBIAN’ supported by Hannah Barry Gallery, London (2022); Ingram Prize Show, London (2022). She is a twice-recipient of the Elizabeth Greenshields award (2021-2), and Ingram Prize Finalist (2022).